"The three enigmas of Ireland, astronomy and space"

Meteorites: the great conundrum

Meteorites are one of the great conundrums or phenomena of astronomy, mysteries and enigmas of antiquity. They have perplexed and been revered by many ancient cultures around the world: regarded by some as 'Gifts from the Heavens' or thrown to earth as gifts; the Greeks used them in the Temple of Delphi and their chronicles are sprinkled profusely with references to them and their sacred importance; the famous Ka'aba in Saudia Arabia, where Muslims do the pilgrimage of Mecca is believed to be an ancient meteorite; hence, a meteorite was regarded and revered as a sacred stone, and those who possessed it could wield much power and impact (excuse the pun) upon their life and environs. Native Americans regarded them as so sacred – particulary the Navajo and Hopewell culture – guarding them with a vigilance as if guarding a mystical Grail, Ark or Philosopher's Stone – that they even deposited them in graves and hid them beneath rocks (1). And some Christian Fundamentalists interpret the Book of Revelation chapter 6 Verse 13: “And the stars of heaven fell unto the earth, even as a fig tree casteth her untimely figs, when she is shaken of a mighty wind”, as alluding to Meteorites (and of course a gigantic meteorite caused the manifold landscape destruction at Tunguska in Siberia in 1908). So it was when, at least the third Meteorite of 2010, hit Ireland on the evening of November 28, that I decided to explore their enigmatic pricelessness and write this article. For to quote John Milton in his famous poem Paradise Lost: “Lucifer shone..... like a meteor in the flaming air”.

The first meteorite to hit Ireland this year occured on the evening of Feb 3 at 6 PM. It was seen by many people around the country (2). (And as a curious example of serendipity, synchcronicity or bizarre coincidence, I was travelling in a car with a friend in County Leitrim and having a conversation about Gaelic mythology and how the famous mythical people, the Tuatha De Danaan, purportedly 'Set fire and burned their ships' after coming here, when Matt Cooper on his early evening current affairs show, reported being deluged with texts from listeners seeing 'Fireballs!' - anyway enough of this digression). The location of its impact was subsequently determined to be CRIMLIN in County Cavan ref.www.astronomyireland.ie; and herein is another slighly curious coincidence: the first of only three definitive hits in Ireland in the twentieth century occurred at a place called CRUMLIN in County Antrim in 1902 – almost identical to the placename for the February 3, 2010 Meteorite!

UNPRECEDENTED METEORITE HITS IN IRELAND

So the first meteorite to hit Ireland this year, arguably led to a chain, if you like, in that more followed; in May there was a report of one to hit the Emerald Isle in Cork but this wasn't verified; a verifiable second occurred on September 3 – whose possible location was somewhere in County Clare (3); and the aforementioned definite third of sunday November 28 (4). This is unprecedented in the historical archive of definitive Meteorite hits in Ireland! Could they be portents of something for the future? Let's look at a few interesting coincidences re. previous Meteorites...... on April 25, 1969, two Meteorites hit Ireland; one was found at Sprucefield, County Antrim, and the other was found 65 km north west of there in county Derry (5). It was after this the 'Troubles' started to accelerate in the north! The next hit was on November 28, 1999, and this Meteorite was found at Leighlinbridge, County Carlow (6). This was simultaneous to the protests at the WTO Summit in Seattle, Washington, which was the start of the socalled anti Globalisation movement, which subsequently involved massive demonstrations around the world in the new Millenium. And now leap forward to the recent third Meteorite, and what do we find? It also occurred on November 28! Hitting the Emerald Isle at 5.40 PM – this coincidentally and strikingly so - like beating a drum of infinite percussions – is the exact time the 'Bail Out' contents and conditions were being announced!!

So could it be that the first and second meteorites were building up to, ultimately, the recent third one, and that these are actual portents for “Ireland in the coming times” (WB Yeats). Could they herald the dawning of a rising of consciousness in the Irish people or indeed around the world or alternatively great hardship or economic travail, vis-a-vis the belief that a meteorite heralded the advent of the Dark Age? Conjecture but food for thought nonetheless leading on to something else....... But before I move on - some interesting things that happened subsequent to November 28, 1999 were:

• the Irish Government officially signed over their territorial claim to the North of Ireland;
• they signed Ireland into the Partnership for Peace (NATO under another name) which had repercussions for Irish neutrality;
  And direct rule of the north of Ireland passed from London to Stormont in the north via the power-sharing executive.

Interestingly these all pertain to changes in SOVEREIGNTY!

THE DIALECTIC OF SEEDING

An intriquing facet of meteorites is the hypothesis that meteorites have had the capacity to 'seed' new life in organisms; it's been found that meteorites, in the distant past, have produced such an eventuality (7). Basically, as meteorites, are fragments that break off dead asteroids, they are thus parts of objects (asteroids) that would have been born or engendered when the Solar System began and hence carried a DNA blueprint. This is an intriquing scenario; and again it could be linked to the ancient belief that a meteorite was a 'Sacred Stone' – 'A gift from the Heavens' or the debris, so to speak, from a galactic battle between angels. Hence, they could be analagous to the Elixirs of Life, the Philosopher's Stone or indeed the Alchemist's adamantine and priceless stone! So what if these at least three meteorites that have fallen to Ireland in the year 2010, could 'seed' some new organism to grow – or metaphorically signify some evolution or mutation in consciousness? A 'seeding' of some new organism/life? Or could it simply signify the 'Mother Goddess of the universe cometh?'

QUESTIONS AND ANSWERS WITH AN EYE WITNESS

To return to the recent meteorite, the following Q and A's were conducted with eye-witness, Miriam Kelly, of Monasterevin, County Kildare.

1. What were the exact colours of of the fireball – body and tail etc? 
   MK: It was white/yellow with a tint of green off the tail.

2. For how long did you see it? And did you hear any sound afterwards? 
   MK: When I spotted it, it only lasted a few seconds. Perhaps 4 -5 seconds. I was in the car driving so I did not hear any sound.

3. How far away would you estimate it was and would you be able to judge in what direction it was travelling – north/south, east/west etc?
   MK: It's hard to tell the distance from the ground.. It was clearly visible in both colour and shape. It was almost moving towards a south west direction.

     4. Have you ever seen anything similiar before – namely lights, bright flashes, lights in the sky?

         MK: Yes, a few years ago, I was standing outside my house at night and saw a ball of light

         fall straight down from the sky. It looked like it fell in the field beside me; it was that close.

         But you never know the size of these things; it could have been miles away.

      
      5. Would you say you have an interest in Astronomy?

          MK: Yes, I never studied it – only Geography, but I've always had a general interest in it.
          I own a telescope and am a member of Astronomy Ireland.

      
      6.Did you notice or see ANYTHING strange afterwards, even in the next 48 hours?

         MK: No, I never noticed anything.

      
      7. Did you tell anyone else or do you know anyone else who saw it?

         MK: No, I had seen comments on Facebook and heard about it on local radio.

      
      8. Would you describe yourself as superstitious?

          MK: No, not at all.

      
      9. Did you report it to Astronomy Ireland, for instance?

          MK: Yes.

What is certainly suggestive from this eye witness feedback is that the fireball was travelling southwest of Kildare, which would mean it was heading for county Laois on its onward trajectory!

HEALTH, RADIATION AND OTHER CONSEQUENTAL PHENOMENA OF METEORITES

In 2007, a Meteorite in Peru, was found to have caused sickness in people who were in close proximity to it; typical symptoms were nausea etc. It was reported as a 'mystery illness' (8). What is also often theorised is that the Chernobyl disaster was caused by a meteorite but this is of course, ill founded. (As an aside, an interesting movie postulates the radiation effects that a Meteorite can cause - although only fiction; it's called The Andromeda Strain.) How interesting it would be if anything similiar ocurred after other Meteorites, particularly any of Ireland's 'Roll of honour'('though it is said they are all safe and pose no health risks). A bizarre 'oddity' and piece of nomenclature of Meteorites is what's often referred to as “Starjelly”- explained as a type of pondscum emitting an odious smell at the site of a Meteorite. Such a phenomenon was reported in Ireland after a Meteorite hit in the late 1600's (10). It would be interesting to find if this has been noted after any of our recent meteorites!

CONCLUSION 

The unprecedented occurrence of up to at least three Meteorites in Ireland this year; particularly the third one, having some interesting coincidences etc, makes me wonder could they be harbingers or portents for something in our future? Alternatively, they could simply represent an increasing prevalence of such wonders, rather than 'Signs in the sky'; but if so, a dramatic and astonishing strike rate for 2010! In essence, one thing is for sure, they are food for thought........... food of an exotic nature that will render the most conservative of taste buds relishing and salivating on them.

The Fireballs

Tumbling down to Erin's fastness
the fireworks of the Heaven's kelp;

blazing last gasps of vastness

imploded like a lion's whelp
into the ether of sun dance;
did they herald a rebel romance?

Fireballs glancing omniscient
what xray vision their aura;
the eye of Horus prescient
with love imbued aurora
like a sage's pure fire nascent?

Such a clutter in the airy stem
three fragments derail and swear
their allegiance to another gem
must burn off like a milky mare
metabolism o' Heaven's hem!

To shed unwanted skin they bored

great rocks broke and parted
like babes from umbilical cord
with sleight of feet darted
to earth - the prophet's fruit poured!

Three flints firing their sickle

with chants of the seraphs;

Fireballs pure the land tickle

for Erin's charms choreograph

in shards sprinkle their nickel

Enigmas to the Ast-
ronomer and Geologist
three great rocks hurtled fast
to the Emerald Isle like a fist
of galactic dynamite -
there was subtlety in their wrist!
Now reason three meteorite

hit Ireland with a golden light
were they a message or a presage
or just lonely anchorites?

SOURCES

1) www.meteoritemarket.com/legend.htm

and reference Cosmic Meteorites by JG Burke

2) www.sott.net/articles/202419-Fireball-seen-over-Ireland 

http://oceanfm.ie/news/2010/02/04fireball-sightings-in-sligo/

3) blogspot.com/2010/09/eire-ireland-meteormeteorite-news.html

www.herald.ie

4) www.galwaynews.ie/16314-knocknacarra-eyewitness-urged-help-find-meteorite

5) www.lisburn.com/sprucefieldmeteorite

6) As No. 5

7) news.nationalgeographic.com/.../080618-meteor-earth.html      ref. Ker Than

www.sciencespin.com/..meteorite-evidence-challenges-view-of-birth-of-solar-system/

by Marie-Catherine Mousseau ref. Meteorites: Clues to Solar System's origins

8) www.guardian.co.uk/world/2007/sep/18/exploration.science

www.livinginperu.com/news/4728

9) www.subversiveelement.com/skyfallsjelly.html

CREDITS

Thanks to Miriam Kelly for her eye witness information and my

Ukranian My Space and Facebook friend Tripillya Dan and also Yona Yavana for all the ideas, suggestions and pointers.

"The 'Gods of the Neale' monument"

One of the most intriquing monuments that I’ve seen on my travels to many places in Ireland, is the “Gods of the Neale” monument in the village of the Neale, south Mayo, between Ballinrobe and Cong. I first encountered it by pure chance in 2003 ('though I had been been to the area up to twenty times previous to that, I ironically never knew of its existence). It's one of those coincidences that I talk about in my book about the Languedoc and Rennes-le-Chateau, and is an example of sychronicity falling into place at the right time!

Located on the estate of Lord Kilmaine (John Browne) who moved to Mayo in the late 1500's and then settled around the Neale; it is a type of stepped pyramid-like monument with a central carving, depicting three figures: a Griffin (a mythological creature from antiquity), a horse and an angel. Beneath it is a long, slightly faded - like the way stone fades from the abrasions of time - medieval inscription carved in medieval writing,  clearly referring to something way back in the far distant past. It refers to a Diana Ffeale (a possible synonym for the goddess Danu of the magical Tuatha De Danann from mythology!) but probably Diana should be split up into two words Dia na and hence Dia na Feile in the Gaelic, would render a meaning: "Gods of Welcome"; the naming of the Neale derived from this; the God Conginus (from whom Cong got its name) and Lugh, the Sun god from our mythology – Lugh of the Long Hand (who it's believed was buried at the Long Stone of the Neale (a Standing Stone in the area!). One possible interpretation of the carved inscription, could be that it is signifying, that the place was at the very least an ancient Druidic Grove.


From Left to right: A horse, an angel and a Griffin, to which the Bardic Searcher is pointing.


Where the picture gets muddied and befuddled, is the fact, that the monument is unknown outside the locality and according to local tradition, the monument was found in a nearby cave, at which time some person then engraved it for posterity. The inscription, is dated 1745 as its signature, at the end of the narrative; the clear inference is, the narrator and chronicler, wanted to preserve the knowledge and memory of something significant about the area for posterity. (Assuming the whole thing isn’t an elaborate joke on the part of someone at that time; such as an associate or colleague of the then Lord Kilmaine in 1745!).  

PROBABLE AUTHENTICITY AND IMPORTANCE ATTACHED TO THE AREA

But to throw weight on the side of it being authentic, and a genuine allusion by the narrator and carver, to something very significant about the place and the area, is the fact that the area is steeped in mythology and megaliths. No less than William Wilde (father of Oscar) had a house in the area, explored and studied it at length, which he documented in his beautiful book My own true Corrib. He was convinced the megaliths proved our mythology to be true and that the area was the staging post for one of the Battles of Moytura between the Fir Bolg and the Tuatha De Danaan. (To digress, there is a huge cairn nearby in the Neale called Eochaidh’s Cairn, believed to be the burial cairn of Eochaidh - the last Fir Bolg king killed during the battle and there is also the second biggest cairn in Connacht in the townland of Cross – Ballymacgibbon Cairn – where it’s believed the battle started! Additionally, the Pyramid Folly a short distance away in the Neale as well, is believed to be on the site of the barrow/tumulus where Slainge was buried (another fatality from the battle!) Perhaps the “Gods of the Neale” is in some way tied into the battle or could it depict something even more ancient? Around Cong, for instance, there are many subterranean galleries and caverns, and the bizarre natural phenomenon, to be seen in Cong, of the “Rising of the Waters”, when the lake, Loch Mask, suddenly shoots up from its underground cavern for about ten metres before going back underground! The area is a hot bed for mystery and phenomena!

Perhaps it was no accident that this Lord Browne, set up shop and planted his estate here? Perhaps he established a Masonic lodge, or was aware of the significance of the place, and was doing covert searches and explorations himself?! All of this is conjecture, as the monument has never been studied or analysed, as hereto stated! But there is one thing about which I’m certain: the monument called the “Gods of the Neale” is for me, one of the most bizarre, perplexing and intriquing monuments in the country and is a great example of hidden Ireland. It needs to be studied and investigated deeply!


Esoteric moment at the "Gods of the Neale" - with its enigmatic carved inscription; one of the most intriquing monuments I've found in Ireland.

    

"The Gods of the Neale":

Where fires of truth burn magma

and myth in cerebral fusion
some sage has carved without stigma
the silver plinth in his infusion

Hidden Ireland hath many claimants
of hidden treasures many suitors
but one perplexes like a book of payments

and intriques the most abstract tutor

Where lakes vibrate as they gleam:
sweet Conn, Corrib and Mask;
what writers, wordsmiths, speak eloquent
of the Scarab Beetle in its cask?
Near the 'Plains of Moytura' ancient
the 'Pilgrim of mysteries' is sentient!

Who were the 'Gods of the Neale':
of some Elder race the remnants
like the Tuatha De Danaan regal?!
What artist with carved pennants
came but to auction the Eagle?

Or were they but fallen idols 

toppled by unknown tremors?
Are the Griffons mere symbols

the wax of long lost candles?
Did they have coats of many armours
more evolved than Neolithic farmers?

The 'Gods of the Neale' monument
'tween Ballinrobe and Cong, Mayo -
pounds my brain like a sharp instrument
Long lost Gods, Angels, Elders, who know?!

May '09 The truth is out there!

http://www.lakedistrictheritage.ie/Cross/pyramid.html

"The Festivals of County Down"

Summers in Ireland are a haven for the festival lovers - there's such a variety it'd make your hair stand up on end in wonder! Whether it be the Arts festival, the Writer's festival, the Literary festival, the Folk/trad festival, the Blues or Rock and so on, there's something for all tastes, to colour the darkest cavern of the mind. But it's the Folk festival, I'm addressing here. In the year '08, I sought out a number of festivals in the country - two in particular, one leads on into the other and they are both in the same county - the Mourne county - county Down. The two festivals take place in late July - the first "Celtic Fusion" is based in Castlewellan with maybe one or two events outside in Newcastle. As that finishes up, the "Fiddler's Green" Festival starts in the deep south of the county - Rostrevor! So what better way to see the beautiful Mourne County than to perambulate both these fine festivals - kill two birds with the one stone!! http://www.maginnsbar.com

The Celtic Fusion is a haven for tradtional and folk music lovers! Pubs like Savages, Mulhollands, Maginns, have live music sessions every evening and in addition to that you have that architecturally stylish pub - The Stables! (The great thing about any of these local community festivals around Ireland is, that it is free entertainment!) On the very penultimate night of the festival I gave an impromptu recitation of my Tara poem - "The Warrior's rallying cry" - about the construction of the M 3 motorway through the Tara/Skyrne complex. As I stood on top of a table to a half full pub, one or two drunken oafs propping up the bar tried to heckle me and shout me down! I decided I'd project and bellow my voice even more to drown them out - it did the trick - they sagged back onto the bar as one who had just been rendered comatose from a very powerful injection! I got a great reaction and applause (it was one of my friends from the Fiddler's Green the previous year who called me to recite in the first place). What made it even better, was that a local couple sitting at the table beside me, I knew from Tara!! A small world aye???
http://www.celticfusion.co.uk

Given Castlewellan is no more than five miles from the majestic Mourne mountains (the landscape that inspired CS Lewis when writing Narnia) it is ideally placed to explore the environs - indeed you can see the resplendent Mournes from the village - with Slieve Donard standing out like a head foreman in the crowd!
In Castlewellan itself, there is the beautiful Castlewellan Forest Park; in which there is a circular walk around an exquisite lake - it'd be an ideal place to camp! About two or three miles outside the village in the parish townland of Maghera, there are some interesting grave stone slabs to be seen........

The final event of the Festival usually takes place in Castlewellan GAA club - either a live concert or a play - which has an admission charge but is still well worth it! So as the Festival had finished, I headed for Rostrevor as the Fiddler's Green Festival was just beginning (I had been to Rostrevor for the Fiddler's Green the previous year - '07 - to sell newspapers -"Tara news" - and try to publicise the protest and disgrace of the M3 motorway - it was then I met a guy called Dave Cunningham and a German man called Norbert, who travels around the country going to festivals, and it was Dave who had called me to recite two days earlier in the just finished Celtic Fusion). This music and arts festival is going since 1986 and is a highly rated international festival, established by the famous musical family of Rostrevor - the Sands Family! For me, the epicentre of the pubs and music is, Ned's Bar and the Kilbroney Bar - the craic is mighty and if one could stack the craic together in a cylinder, it'd reach the Heavens! A feature of the Festival is an historical walking tour of Rostrevor and the not to be missed Ceili on the square - an on the Village Green sort of thing - part of Ireland's heritage and customs of bygone years...... in which young and old take part.

But the event I was heading for was "Ceili House" in the Kilbroney Bar - basically an open session for everyone to sing, recite, play a bit of music, tell a story or whatever. It takes place in the Basement and this year - '08 - it was packed with up to 50/60 people. It was chaired and presented by someone from Downtown Radio, Belfast. So here again, as in Castlewellan, I recited "The Warrior's rallying cry", and spoke afterwards about the situation of the M3. There were  people singing traditional Dutch songs, German songs, but for me, hearing a Manx song being sung, was very special. I decided to also throw in a singing contributon, with a rendition of "Raglan Road", which I've been known to do!! All in all, this was a great event - the buzz was fantastic and it's a great lead in, to the rest of the week. http://www.fiddlersgreenfestival.co.uk

Rostrevor Bay was of course described by George Bernard Shaw, as more beautiful than the Bay of Naples - "Nature has smiled kindly upon it". The truth is that it is yet another adornment for the rich tapestry of the Mourne county; Kilbroney park is particularly enchanting and mesmering containing a Fairy Glen, and if you
ascend to the top you'll have a fantastic view of the Mournes to the west, the Cooley Mountains to the east, the aforementioned Bay and directly opposite, the Cooley Peninsula in county Louth. The Park is where all the campers make base but it's perhaps most famous for the Cloch mor (the Big stone); according to tradition, that legendary giant, Fionn Mac Cumhaill, flung it over a great distance before it landed here at this spot! Believe it or not, the tallest man in the world, Patrick Murphy, is buried here!

So there you have it! The two festivals of county Down. There are of course other ones - one of the great things of the communities of Ireland is that each parish or community has their own wee annual event in the sun! One such is the Leitrim Festival (7/8 miles from Castlewellan) - in the tiny hidden village of Leitrim in the hinterland of Slieve Croob, but the ones at the heart of this piece are the ones I have become intimate with - they are earmarked internationally.

So what better way to see the beautiful Mourne county? The county which has two anthems: "The Star of
the county Down" and "The Mountains of Mourne" by Percy French; the county whose very Mourne Mountains inspired the writing of Narnia; the county which has a Bay which GB Shaw regarded in higher esteem than the Bay of Naples; the county which was the first to bring the Sam Maguire Cup (All-Ireland football championship) to the Six Counties in the north of Ireland; the county which has the first summit-level canal in Ireland or Britain - the Newry Canal from 1741; and the county which has the oldest pub in Ireland - Gracie Neills, in Donaghadee in the north of the county. What better way, than by sampling two fine international music and arts festivals which overlap each other in late July!? Oh for Festivals and the County Down....... I'm in a trance!

"On the trail of the Black Madonna"

There are two Black Madonnas in churches in Ireland; it was the one in Thomastown, county Kilkenny, that I went to see on a salubrious August day! Before I begin, let's be clear on what a Black Madonna is!! Quite simply, a Madonna figure, carved in Oak, either dark mahogany hued or ebony black; clearly, they are not depictions of Mary the mother of Jesus. Who they might represent, I'll discuss at the end!

So I hitched my way from Kilkenny - about 10/11 miles, passing over the lovely river Nore, before Bennettsbridge, which offers a lovely view of the Mill and its Pottery Crafts shop owned by the Mosses; and my target was the local church of Thomastown - the Church of the Assumption. It was very easy to find, as it stands on a slight hill overlooking the town (there have been a few churches there - one of which was used during Penal times, but they were subsumed into the current building which dates from the second half of the nineteenth century).

The Madonna - called ''Our Lady of Thomastown'' can be seen as you enter the church, to the left of the Altar, beside the statue of Jesus. It is a beautiful carving, not coal black like the one in Dublin, and unusually she is not sitting as many of them depicting her, tend to be. I thought of my many journeys in the Languedoc and Midi region of the south of France, as the Black Madonna is so associated with there - famous ones like at Rocamadour and the Abbey 'Notre Dame de Marseille', outside Limoux, came to mind (sadly three years ago that Madonna was badly destroyed - severed at the neck either by a treasure hunter, or someone who was making a statement; this fate has occurred to other Black Madonnas throughout the centuries in different places, either destroyed or suffering the ignominy of being buried!). I marvelled at the visual phenomenon; the carving and craftmanship was of the highest standard - works of art really - and with all due respect, demonstrate far better workmanship and artistry than statues of Mary the mother of Jesus (the Virgin Mary).

Our Lady of Thomastown looking resplendent!

Upon reading the text, I came across a coincidence, which was another link with the Languedoc. According to tradition, it was brought back from Spain around 1666 by a local wine merchant called Patrick Lincoln! It was then my mind wandered again; I thought of the enigmatic book "The Holy Blood and Holy Grail" about the mystery of Rennes-le-Chateau in the Languedoc, one of whose co authors was Henry LINCOLN, and found the name coincidental. It'd be interesting to ascertain if the Patrick Lincoln of Thomastown, was looking or searching for anything, under the pretext of a business trip. And it'd be interesting to know in what part of Spain, was the carving found!? (Perhaps in Cataluna!)

A final bit about this beauty of unknown and hidden Ireland and spiritual iconography is that, it was adorned with a crown of silver stars, which according to the story, were either stolen or traded by a priest for a plate!! (It would look strange to have two "Queens of Heaven", on display, would it not, me thinks?)

So I sat down and did a meditation, and the words Isis/Magdalen, kept thumping in my ears, as if some message was being relayed to me. And these, of course, are the two personages, most widely cited, as the inspiration/muse for these most unusual statues and carvings (in the Languedoc and the south west of France, they are believed to represent the Magdalen herself!)
     

The Black Madonna in regal pose!

So what a lovely day it was; I felt I had conquered another chapter in my long quest for truth. I left very moved and now thought: as I've seen the only two of these wonders in Ireland, I must see more of them in the aforementioned Languedoc in the south west of France! Certainly the "Black Madonna of Thomastown", is a beautiful piece of carved oak, produced with great zeal, fidelity and consumate craftsmanship, by someone who wanted to preserve the memory of another Madonna!

Final word: Thomastown is a very nice and quiet village; and there is also a disused ruined church from the Penal times! So Kilkenny is not just about its city; but has a number of quaint towns, one of which is Thomastown, whose emblem is "The Black Madonna"!

"The Cave of the Cat":

Ownee na Gat - entrance to the Otherworld for the ancient Gaels - is perhaps the strangest place in Ireland; a complete enigma, a place beyond comprehension! On the Plains of Cruachan in the townland of the same name, county Roscommon, the demesne of the Connacht royals, it would seem to be aligned to Rath Cruachan itself - the principal Rath of the Connacht Royals! But it's more than just a souterrain, it goes right down into the subterranean chasms, as if some snake plunging headfirst through the Roscommon earth.

Ownee na Gat - Entrance to the Otherworld

But it's its contents, its composition, which is the first of its wide-eyed cornucopia. It seems to hit one in the gut, as if something visceral is at work - as 'though the resonant rapture of wisdom ancient is being illuminated and echoed in the walls. It seemed on one level, not only were the entrails of Mother Earth being shaken and poured from some invisible goblet, as being drained from a tin can, but also my adult consciousness, and hence I had returned to the larvae or bubble and was in my mother's womb again! As if I were floating in water - pacific and tranquil waters of purity, so much so. I had no feeling of claustrophia and indeed didn't want to leave.

The structure and topography of the Cave is most unusual and is another Iris in the wider-eyed cornucopia; the walls, for instance, are layered and textured like the pipes of an organ or like a series of fluted canisters or tubular bells. Could the walls have been stripped by mortals in ancient times, or is it something otherworldly or at least a cameo kaleidoscope of the otherworld! On the ground, I found a stone - not embedded in the ground - but loose - sitting on its side which was either a carving of a Pig, a Cat or a Bull! And then there was the strange mist that appeared in the first picture, I took inside, which appeared to trace the outline and shape of a human!

Outline or body shape? This image was taken  when I was looking down the passage from the end of it. I had just sung a song and recited a poem. My friend was at much further down. 

Could the cave represent a kind of re-birth, re-generation of the individual? A parallel with one interpretation of the Lazarus story - that when going in there, one was metaphorically dead, and when one came out, one was re-born, born again, renewed? The Folklore of Ireland's Saint Patrick, in his cave on Station Island is slightly similiar. (This concept, having been perpetuated from Pre-Christian belief systems). The idea of being plunged into something - full imersion - could also be signified, much like the penitent being plunged into the baptismal waters of renewal (perhaps I touched on that, in my feeling of 'Floating in water'?).

But it would be amiss of me, to not consider the possiblity of it, being a place of initiation and entry for the Royals, given its not more than 100 metres from Rath Croghan. The High King of Ireland, when crowned at Tara, was deemed to be wed to the Mother - the earth. Could the same thing have been at work here for the Connacht Royals? (It's interesting to note there are possibly more Raths in Roscommon, than any other part of Ireland!).

The Cave of Ownnee na Gat is one of the strangest, most curious and logic defying places in Ireland. If one throws into the melting pot, the likelihood that the epic tale from Gaelic mythology 'The Tain' (the 'Cattle raid of Cooley', featuring the Queen of Connacht, Queen Maeve, and the legendary Cu Chulainn) started around here, it's easy to conclude that this was a very important and special area. The Cave of Ownee na Gat could be a real candidate for the erstwhile TV series 'Ripley's believe it or not!'

In the heart of the souterrain - is that an orb?

"The Oarsman":

The oar's angle skimming
the lake's azure pure marble;
As a Barber clip clop trimming
trough swishing - sighs his warble.
Oarsman rowing, ring running,
round ripples as laying corbels
Strokes sighing, sounds punning
cultivating acts with cunning.

Rowing Boat swaying on its back
as clutching the banner spangled
in blue and silver, making track,
as 'though the lake nymph ogled
Oarsman raking hay to sack
the oath Olympic horn bugled!

No flailing arms or wings dishevelled
as music and sport he pulls
From a crowd of waves revelled
his double entendres, nimbly culls!
No time to double O'ER and hunch
as the beams he jousts inch by inch........

''The Curragh & the only outdoors Boxing Monument in the world!''

Lying in what's called 'The Hollow' in that unique landscape called 'The Curragh' in County Kildare (neighbouring county to Dublin) is a quaint and unusual monument. It is a monument to the famous Irish Boxer of the early 1800's, Dan Donnelly, who beat the best boxers of Britain at that time; it marks the exact spot in 'The Hollow' where he beat Tom Hall and then George Cooper in front of 20,000 people; the monument's inscription reads: ''This is where Donnelly beat Cooper in 1815.''  As such, it's probably the only outdoors monument to a boxer in the world!

'The Hollow' in the Curragh - scene of Donnelly's greatest epics!

Propped like a sentinel from a distant epoch, in the heartland of 'The Curragh', it offers an opening into a piece of Irish sporting lore and history and heritage. (Donnelly himself was buried in Bully's Acre, Kilmainham, Dublin, not too far from where he was born!) and his prized arm was actually severed from his body by a surgeon after grave robbers plundered it! From 1953 to 1996, this arm was exhibited in 'The Hideaway' pub in Kilcullen before taken to America!! One legend attributes the arm as the longest in boxing history, and that he could stretch his arms past his knees without bending his legs!

The Curragh landscape itself is a landscape of pleasant green plains which stretch out like a silk canvas smoothened and iron pressed around Kildare town across to near the Bog of Allen. Legend has it that on Feb 1, the day of the sacred Brigid, that she laid her garment out around Kildare, which mystically formed these plains! It therefore seems fitting that Donnelly's greatest hours took place within these plains and 'The Memorial' to Donnelly is yet another reason to behold their rich texture!

Small wonder the song, 'The Curragh of Kildare' says:

And it's late I will repair
to the Curragh of Kildare
for glad tidings you'll find there!

The Plains of Kildare where you'll find glad tidings!

''Glasnevin cemetery and the grave of Roger Casement''

Glasnevin cemetery is a huge cemetery where over a million people are buried - many of whom are famous Irish people. In 1966, the remains of the patriot and outstanding international humanitarian Roger Casement - who was executed for trying to import guns to Ireland for the 1916 rebellion or more precisely treason against the realm - were disinterred from Pentonville Prison, London, brought back to Ireland and re-interred in Glasnevin Cemetery, Dublin. However, his wish that he lie at the home of his paternal relatives and ancestors by Merlough Bay in County Antrim in the north east, where he spent many childhood summers wasn't fulfilled!

There was a tree beside his grave which looked totally out of place, as if it bore a burden or was trying to convey a message. I was moved to write this poem consequentally upon beholding this sad tree back in 2003/04!

"The tree by Casement's Grave":

There is a tree o'er Casement's grave
which blooms not in royal garb
no canopy of lush green
of leaves bristle sweet barb

There is a tree withered and wan
whose shadow has no bloom
o'er Casement's grave it hangs
like a bride without a groom

There is a tree of little colour
that sprouts not nature's leaves
it's all but dead and forlorn
its mass stoops and grieves

There is a solitary tree
near Casement's resting place
the only tree which holds not
to its birth with pride of place!

It does not blossom in the day
its season is a spring that's spent
nor does it swivel in Summers bright
but fades like a captive bent

There is a lifeless tree
watching o'er Casement's grave
it shakes not gilded shrubs
nor buds finest of the brave

Its boughs and trunk
preserve a great shock
they feel the pain of Casement
for he wished to lie by Merlough!

Footnote: As the Tree is now gone, to make way for the restoration of the Cemetery, perhaps the poem is now pointless, or should a new tree be planted sometime again by the grave!?

''Prose for an Irish Folk Singer''

Liam Clancy came at a time when Irish Folk Music was arguably dead! It was the dawn of the decade of the 60's - before 'Planxty' or 'The Bothy Band' came on the scene and even before 'The Dubliners'; the decade of 'Flower Power' was yet to weave its psychedelic loom; the Beatles were yet to take the world by storm; the decade of the seminal 'Woodstock' festivals had still to be seen; that prodgious wordsmith, troubadour and rebel artist, Bob Dylan, had just started hewing great hollows out of the status quo's rocky strata - both Joan Baez and him embedding adamantine rocks on the plains of indifference; and it was the decade of the twin Civil Rights movements of the US and Ireland, about to illuminate their pristine Summers on Winter's evergreens.

So this was the backdrop for Liam Clancy's burgeoning emergence on the Folk - ultimately - world scene; his first incarnation if you like, as a member of the Clancy Brothers! From the outset, the Pioneer's paths were staked out, as musical strategists on a mission, reconnoitring the uncharted territories, the forgotten vistas of Minstrelsy! The raucous and boisterous harmonies, conjuring up images of Fishermen docked at some port of Newfoundland, lifting the rafters of a local pub, or some Whalers out of a Moby Dick Film in port at Nantucket Bay, raising the decibels to the High Heavens of some tavern; the Aran Sweaters - their omnipresent attire; bedecking and serenading the spirits haunting the halcyon echoes of Carnegie Hall and the very lyrical and soulful vocals of a young Liam, so smooth and unwavering, as if conjuring a vessel at sea in the balance of the waves and the even keel of its voyage!

The Irish Folk music scene - if not dead - was certainly moribund in the 60's; for it was an emasculated shell in comparison to the English Folk scene of the time, which was riding high in the North of England. But that all changed with the Clancy Brothers; they resurrected Irish Folk music from the giant crater, where but laconic dreams resided; from the still waters where but the shadows of the Bards and Minstrels and Balladeers could be seen; they navigated the Backwater Straits of the Folk Culture of the Gael; gave it a force again. The great art of the Irish Celt (the Gael) was resplendent again as if the Emerald Isle were given an extra sheen of green!

                                           
That great and effervescent South Armagh Ballad Singer (who would carve his own niche as an Irish Troubadour), Tommy Makem, joined ranks and the Clancy Brothers continued on their merry way! Eventually, they broke up and Liam and Tommy Makem limbered up as a musical duo or a stage act revolving around the repartee of Liam and Tommy; then the four ultimately re-united for a series of concerts in the 80's - this was Liam's second incarnation! It didn't take long for this limbering up between Liam and Tommy to become a fully fledged and potent dynamic on the Ballad and Folk scene.

The visual accoutrements were retained: the ubiquitous Aran Sweater - now having become almost a fashion statement or the emblem of the Gael - and the cap, the sailor's cap, once again the iconography of the Aran Fisherman and his journeyings. And the musical duo's act was a perfectly balanced juggling act, in exact symmetry; a selfless operation at work. They both complimented each other and allowed the other to express the full gamut of their craft and abilities, as they were very clearly the main men now in this re-uniting!

In the latter part of Liam's life and career, he went solo - this was his final incarnation. His stage performance having the wee bit of magic in it - a seeming magician at work, who could orchestrate and whip up an audience, at his whim and will. His timbre and song delivery - befitting a Songster in full possession of his faculties and at the zenith of his powers - as crisp as an Irish turf fire being prodded and nurtured along to full glare and heat! Then the poetry, recited the way poetry should be recited - fluid like Guinness flowing endlessly from the taps or milk running down the back of a milk churn which has overflowed! And the other ingredients of his act - the pathos and reminiscences remaining indelibly engraved upon the mind's eye!

In the end, he lived his final days, as aptly and appropriately as it should have been; narrating a documentary about his life in the true Narrator's style! It was called The Yellow Bittern and the Bittern sure sang for him in his life, his chosen vocation and at his time's end. In the words of Bob Dylan: 'The Greatest Folk/Ballad Singer in the world!'

Footnote: The Clancy Brothers were born in Carrick-on-Suir, Co Tipperary and were buried in Rinne, Co Waterford and Tommy Makem hailed from Keady, Co Armagh or the republic of South Armagh, as he said.